Artist Statement

My artistic practice explores sensory experiences and forms through Wilhelm Worringer’s concept of “empathy” (Einfühlung). For me, an artwork is not merely a finished object, but rather a living stream of sensations and forms synchronized with the human body and consciousness. My role as an artist, therefore, is that of a mediator — like a brush — revealing and capturing abstract ideas and states existing at the threshold between conscious and unconscious, structured and spontaneous.

I’m particularly interested in art where the viewer is not merely an observer, but an equal partic

ipant in performative interaction. This is why formats such as action painting and happenings, in which the audience becomes part of the artistic event, hold significant importance in my practice. Essential to me is the principle of equality and openness between artist and viewer — no one dominates; rather, all elements of the artistic event (author, viewer, and artwork) exist in dynamic equilibrium.

Nature plays a central role in my practice as both a vital source of inspiration and an integral element of the creative process. Through observation and engagement with natural forms, colors, and rhythms, I explore the profound interconnectedness between humanity and the environment, reinterpreting it within contemporary art. This interaction with nature allows me to uncover the sensory potential of my works and encourages the viewer to recognize themselves as part of a living system, a unified whole.

David Joselit’s concept — that contemporary art is a field of interaction, fusion, and unexpected dialogues — is also fundamental to my practice. In my projects, I strive to employ tools that immerse the viewer in a unique sensory experience, promoting sincerity, openness, and mutual understanding among diverse people.

Additionally, I am drawn to the delicate boundary between spirituality and religion, consciously avoiding an institutionalized approach in favor of focusing on universal aspects of spiritual exploration and metaphysical experience. I investigate abstract imagery, free from rigid narrative structures or religious institutions, while acknowledging the significance of spirituality as a universal dimension of human perception.

Inspired by Impressionism’s attention to the immediate perception of reality, I reinterpret this experience within the context of contemporary art, creating works in which the emotional intensity of color and sound serves as a natural language for communicating with the viewer.

Ultimately, my artistic practice is an attempt to capture and document the flow of empathic forms and ideas, creating an environment for their manifestation, and providing each participant the opportunity to experience this process from within — rediscovering for themselves the very essence and meaning of art.